Years ago, Krypton was about to explode and Kal-El was sent to Earth to escape that fate. However, his older cousin, Kara, was also intended to accompany the infant as his protector. Unfortunately, Kara was accidentally diverted into the timeless Phantom Zone for years before finally arriving on Earth decades later and found by her cousin who had grown into Superman. Years later, Kara Danvers is a young professional adrift in a thankless job until a fateful crisis ignites a sense of purpose using Kryptonian powers she had long hidden. Inspired, Kara decides to emulate her cousin's superheroic ways, only to find her foster sister introducing her to the secret Department of Extra-Normal Operations, dedicated to fighting alien menaces including those Kara inadvertently led to Earth. Now with such help, the Maid of Might takes her place as Earth's newest champion with new friends and enemies challenging her world. Written by Kenneth Chisholm (kchishol@rogers.com)

For a Broadway musical, the road to success is not easy. And winning the coveted Tony as Best Musical, which is the ultimate goal, is even more difficult. Such trials and tribulations are shown for a handful of shows, their creative teams and their performers. There is competition amongst the performers for roles, competition amongst the shows not only for box office but also limited investor dollars and that final Tony prize, and competition amongst those ultimately hired in the cast and crew for what they want to see happen in the show, both for the good of the show and their own personal benefit. And sometimes, personal life gets in the way of these professional goals. These problems not only happen for those new or working their ways up the ranks, such as performers Karen Cartwright and Ivy Lynn, and the writing team of Jimmy Collins and Kyle Bishop, but also seasoned veterans, such as the writing team of Tom Levitt and Julia Houston, womanizing director Derek Wills, and producer ... Written by Huggo